The Museum of the History of Science, located in Broad Street, Oxford, is home to an unrivalled collection of scientific instruments from medieval times to the seventeenth century. Its collection of eighteenth- and nineteenth-century instruments is also substantial. It is the world's oldest surviving purpose-built museum building.
The current collection contains around 15,000 objects from antiquity to the early 20th century, representing almost all aspects of the history of science and is used for both academic study and enjoyment by the visiting public. The museum contains a wide range of scientific instruments, such as quadrants, astrolabes (the most complete collection in the world with 136 instruments), sundials, early mathematical instruments (used for calculating, astronomy, navigation, surveying and drawing), optical instruments (microscopes, telescopes and cameras), equipment associated with chemistry, natural philosophy and medicine, and a reference library regarding the history of scientific instruments that includes manuscripts, incunabula, prints and printed ephemera, and early photographic items. Built in 1683 to house Elias Ashmole's collection, the museum building became known as the Old Ashmolean Building (to distinguish it from the newer Ashmolean Museum building where the Ashmolean Museum of Art & Archaeology moved in 1894) and was the world's first purpose-built museum building; it was also open to the public. The original concept of the museum was to institutionalize the new learning about nature that appeared in the 17th century and experiments concerning philosophy were undertaken in a chemical laboratory in the basement, while lectures and demonstration took place in the School of Natural History, on the middle floor. Ashmole's collection was expanded to include a broad range of activities associated with the history of natural knowledge and in 1924 the gift of Lewis Evans' collection allowed the museum further improvement, becoming the Museum of the History of Science and appointing Robert Gunther as its first curator. (...)
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